Who knows most about your book? You do. Who decides what it should look like? Someone else. There’s a bit of a disconnect here, I feel.
Publishers do not expect authors to design their own books, and in fact reserve the right to determine a book’s final appearance. After all, they are the professionals. If you look at your author contract, chances are that you will see a clause something like this one from the standard NIAS author contract:
The Publisher shall have complete control of the production and publication of the Work. Among aspects at the Publisher’s discretion are: the paper, printing, binding, cover (or jacket) and embellishments …
However, being the professionals doesn’t mean that the design of your book is best left to your publisher’s editors, designers, etc. alone. No, you too should be involved, right from the beginning.
Why? I can think of two reasons right off.
- With your inside knowledge of your book and its subject, you have a better feeling for what might ‘click’ with your readership and what might be appropriate (even allowed) as discussed in my previous post.
- Publishers may be the professionals but they don’t necessarily do a good job if left to themselves. This may be because of the attitude problem mentioned earlier (that the jacket/cover is unimportant) but more important perhaps is the time pressure that book designers work under; the temptation to apply ‘the standard treatment’ to your book will be strong as a consequence.
If you want to achieve a better result, something that brings to life your vision for the book, then it is up to you to work for this – even get a little pushy if need be.
But how much say do you have in the final result? Each publisher is different; some may be flexible in one area but will not budge a millimeter in another. Even so, chances are that your publisher will seize upon any good ideas that you have to make your book stand out in the crowd, shine among its competitors – and sell more copies.
Adding an author perspective to the cover
Chances are that your publisher will welcome suggestions from you for illustrations for your cover, particularly if you have copyright-free material. But your illustrations must be suitable. Keep in mind, for instance, that:
- The image that you supply should be of a sufficiently high resolution (anything less than one megabyte in size is a waste of time; ideally, the file size should be larger).
- It should go without saying perhaps but your illustration should be composed nicely, aesthetically pleasing and generally of a good quality (nothing that needs a lot of repair work, for instance).
- There should be no copyright or other ownership issues with the image. If it needs the permission of someone else for its use, then it is your job to get that permission and pass on to your editor any associated requirements (e.g. that an attribution is given using a specific wording).
- If the image has to be paid for, then that too is your responsibility (though you can of course raise the issue of compensation with your publisher). It is more than likely that an author is charged less for an image than a publisher.
- The image must leave enough room for the other cover elements (title, subtitle, author name, etc.) mentioned in my previous post.
- However, if the illustration is to cover the entire front cover, then it cannot be so ‘busy’ that it fights with the other cover elements. Having a uniform background (like sea or sky) in a suitable part of your image can be useful here.
Inspiration need not come from the world of your research only. Other books can also inspire. What works best for you as a reader? What attracts you aesthetically? Develop a sense of what works and what does not. If you can do this, then you will be able to communicate more knowledgeably and on more equal terms with your publisher on the book design.
However, it is important that you bring any design suggestions to your editor at an early stage. Otherwise, with some publishers, you may not be asked your preference about the cover design but simply be presented with a fait accompli for proofing (after all, you are ‘only the author’). At that point, the design budget will have been spent and any protestations from you are likely to fall on deaf ears.
Adding your perspective on the page design
Getting involved in the cover design is one thing, having a say on the layout of the inside pages is quite another.
Theoretically, you could contribute to the page design brief. Over the years I have had authors taking an active (sometimes too active) interest in the entire book design, but these authors have been few and far between; in practice, most authors show little interest in the page design.
However, perhaps you might like to warm your interest just a little more right now because our thread of posts on design is finished; now we are moving onto the typesetting of your book (first up, what exactly is typesetting, followed by a whole lot of ‘issues’ posts demonstrating why you should care).